Photography requiredprod-sharp-glazing-windows-upvc-city-01.jpg

Tight 45-degree crop on the closed meeting line of a City flush casement in raking daylight, no sky in the glass, so the sash face sitting dead level with the frame is the only subject.

4:3

uPVC / City

A flush uPVC casement for terraces and semis: the sash sits level with the frame and never needs painting.

Sightline
62 mm, flush
U-value
From 1.2 W/m²K
Lead time
6 wks
  • About half the cost of timber
  • Foil colour-fast for 10 years
  • PAS 24 and Secured by Design
Photography requiredprod-sharp-glazing-windows-upvc-city-02.jpg

The whole upvc / city square on and filling the frame, in the fixed light configuration, shot level in flat overcast light against a plain wall so the proportion and the frame-to-glass ratio can be read without perspective. Unit at 1200 x 1500 mm.

3:4
Photography requiredprod-sharp-glazing-windows-upvc-city-03.jpg

Close detail of the meeting line at eye level in raking light, tight enough that the joint and the seal are legible and the 62 mm, flush casement sightline can be measured off the frame, with the background thrown out of focus.

1:1
Photography requiredprod-sharp-glazing-windows-upvc-city-04.jpg

The hand-level detail: espagnolette multipoint locking photographed in use on the white finish, close enough to show the surface texture and the fixing, with a hand on the handle for scale.

4:3
Photography requiredprod-sharp-glazing-windows-upvc-city-05.jpg

From inside the room looking out through the upvc / city, the unit open where it opens, late afternoon light on the floor, so the product is seen the way it is lived with rather than the way it is sold.

16:9
Photography requiredprod-sharp-glazing-windows-upvc-city-06.jpg

The upvc / city at dusk from outside, closed, the room lit behind the glass, so the finish and the glass line read against the light.

3:4
1 / 5
Photography requiredprod-sharp-glazing-windows-upvc-city-01.jpg

Tight 45-degree crop on the closed meeting line of a City flush casement in raking daylight, no sky in the glass, so the sash face sitting dead level with the frame is the only subject.

1:1
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