Photography requiredprod-sharp-glazing-windows-timber-01.jpg

Finished timber casements racked on edge in the spray shop under even overhead light, a row of the same colour receding, so the depth of the three-coat film and the consistency down the line are both visible.

4:3

Timber

Engineered timber casements for protected and period elevations, factory-finished in the material conservation officers accept.

Sightline
56 mm
U-value
From 1.3 W/m²K
Lead time
8 wks
  • Engineered redwood or European oak
  • Factory-sprayed, 3 coats to 120 microns
  • PAS 24, multipoint locking as standard
Photography requiredprod-sharp-glazing-windows-timber-02.jpg

The whole timber square on and filling the frame, in the flush casement configuration, shot level in flat overcast light against a plain wall so the proportion and the frame-to-glass ratio can be read without perspective. Unit at 1200 x 1800 mm, 90 kg.

3:4
Photography requiredprod-sharp-glazing-windows-timber-03.jpg

Close detail of the meeting line at eye level in raking light, tight enough that the joint and the seal are legible and the 68 mm, 56 mm sightline sightline can be measured off the frame, with the background thrown out of focus.

1:1
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The hand-level detail: solid brass casement stays photographed in use on the opaque paint, 213 ral finish, close enough to show the surface texture and the fixing, with a hand on the handle for scale.

4:3
Photography requiredprod-sharp-glazing-windows-timber-05.jpg

From inside the room looking out through the timber, the unit open where it opens, late afternoon light on the floor, so the product is seen the way it is lived with rather than the way it is sold.

16:9
Photography requiredprod-sharp-glazing-windows-timber-06.jpg

The timber at dusk from outside, closed, the room lit behind the glass, so the finish and the glass line read against the light.

3:4
1 / 5
Photography requiredprod-sharp-glazing-windows-timber-01.jpg

Finished timber casements racked on edge in the spray shop under even overhead light, a row of the same colour receding, so the depth of the three-coat film and the consistency down the line are both visible.

1:1
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